Initial notes,゛b(h♭), a, c, h゛, of the third theme in tenor from bar 193 read
the name ゛b-a-c-h゛. There is no specific counter theme found here.
Following the theme, Motive゛A゛already used in Section 1 makes sequence
in tenor and alt. Motive゛A゛ is also found in soprano from bar 201 and in
bass from bar 203 as a response.
Accompanied by the theme in tenor from bar 210, the fragment of the first
theme is stated, taking the variant inverted form.
Lacking the sixteenth note, the inverted third theme is stated in alt from
bar 213 as well as those in bass from bar 222.
What to be shown in blue in the music below are the similar counter
melodies accompanying to two stretto-like third themes from bar 217.
The stretto by the third theme is found in tenor from bar 225.
The theme in tenor from bar 225 is transformed by syncopation.
The variant theme by syncopation is also found in the first theme.
Three-theme combination is presented from bar 233. This three-theme
combination is just found in the manuscript though the first edition only
includes until one beat of bar 233.
Each theme reappears in the same voice as stated at the beginning,
Motive ゛B゛ employed in Section 2 is once again stated at bar 239.
