parallel here. ; authentic form was seen in section 1 and the inverted form was in section 3 all solo. ![]() can be also found from bar 164 though the inverted theme is third degree lower than the authentic theme, as it were, double counterpoint at tenth degree like Cp.10. ![]() from bar 164, in which sequence-like exposition are made successively. exposition increases in four voices, taking the authentic form and the inverted from bar 170. ![]() two are stated in tonal key (゛d゛minor), compared with ゛e゛minor last time from bar 145. The music below is from bar 179, that is, the last thematic exposition. ![]() perform the motive゛A゛, frequently employed in section 1, together with alto. This reminds you of the overlapping of motive゛A゛by three voices at 21 bar. 6, Cp.7. |